Stylistically, a lot is tolerated; but this habit of hiding what is being said, of intentionally complicating the simple, is only tolerated if the effort of interpretation rewards; otherwise, the author can only irritate. And the worst thing is to see the number of examples of this practice, which for some passes for merit, as if saying something obliquely were saying it creatively. It is pitiful. The same language, sublimated by the greats, becomes a refuge for those who have nothing to say.