Above all, this criticism that cannot analyze a verse without associating it with a “movement” is sterile, as if the author, when composing it, was only thinking of adapting it to a “current”, of supporting it with a pile of buzzwords that distinguish a “ lineage”. How many great poets have done this? Is symptomatic this refusal to see the individual, or rather, this insistence on wanting to see an artificial collective mentality, in most cases not only non-existent, but impossible. Sometimes, to avoid such ridicule, it seems that it would be best never to resort to such classifications…