It would be interesting to analyze how Demons became a masterpiece despite being conceived by Dostoevsky for ostensibly pamphleteering purposes. It is a real feat that this has happened, since the most likely destination of a work motivated in this way is the trash can. It is impressive not only Dostoevsky’s ability to give scope to the episode, but also the sense of urgency and importance only possible in a true visionary. The work, therefore, ended up being strengthened by the same qualities that ordinarily foul it up. More than a real, complex, original and profound plot, it came out as a denouncement and a prophecy, being equally valuable to philosophers, psychologists and historians. Very few are the works of which one can say the same.
Demons Became a Masterpiece…
