Nothing represents the distance between the audience and the artist as well as the theater, and there is no great play immune to booing at first performance. Understandable fact, since the great dramatic effect is averse to pleasant. The playwright, therefore, can measure his own success by the negative reactions and, if he receives applause, perhaps he is a minor artist. So is dramaturgy. The stones show his strength and the natural thing is that flowers are not thrown but by an audience that has passed unscathed to him. Is that only in dramaturgy?…
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