It takes a while for an artist to discover that the best art he can make is that which is most intimate, most genuinely his own, and not the most acclaimed by the critics. It takes a while because, to the beginner, the idea that he should strive for authenticity will seem nonsensical, when he is a beginner and therefore has to learn and find himself. That is why imitation, to a greater or lesser extent, is a natural and fruitful path. But there comes a time when practice sufficiently highlights what is and is not one’s own. Then it also becomes clear that imitation, if anything, is a stepping stone to great art, and that this can only be done with the substance of what most stirs the individual conscience.