Language offers everyone identical possibilities. It is nothing more than a huge set of signs to be used as a vehicle for the expression of ideas, facts, feelings. In a work of art, therefore, the use of language, the style, will be more authentic the more it individualizes the expression of what it intends to express, that is, the more the uniqueness of the artist is exposed through the universal set of signs. Well then. It seems that based on this—correct—reasoning, everything has been legitimized in letters and, due to another reasoning that often accompanies it—that, in art, the important thing is to be “original”—true aberrations have been considered marvelous. Faced with such works, one gets the feeling that there is something wrong, that something so simplistic cannot be good, just because it is different. And then it seems fair to note that true mastery, in art, makes the complex appear simple—and not the other way around…