The writer is mistaken in assuming that he will transform his art by living the same mediocre life indefinitely. It is good to have no more than a corner to write in and, temporarily, that is enough. It is also good to stick to and get used to what is strictly necessary in order, above all, to distinguish it. But for there to be a transformation in art, and for it to be true, it must also take place in life, because therein lie the circumstances that will motivate his work, unless he betrays himself. It is therefore necessary to make an effort to modify and shape the whole of reality, as far as his strength allows; and if this does not produce satisfactory results, it will be from his conscious struggle that the best of his motivation will emerge.