While it is true that the writer, unlike the public man, does not usually receive the reward of his work in this life, it is also true that he is practically immune to everything that would destroy the career of the latter. Often, the opposite is true, and those traits of conduct or personality that, to a public man, would be a certain scandal, take on an intriguing character. In this sense, the writer is privileged and enjoys the advantage of not having to falsify himself in order to exercise his profession.