Literature, to be enjoyable, must eschew judgment and the expression of torment. In this way, it pleases the reader, instead of hurting him. But we should ask: what kind of artist would opt for such an attitude? or rather: how can we justify the artistic impulse by writing pleasantly? It seems that pleasant literature is also literature that is disguised, that lacks sincerity and verve, that is boring because of its futility—despite its “lightness”. From this it follows that the sincere artist is unlikely not to arouse discomfort and, therefore, not to attract a strong rejection.