Viktor Frankl, thrown into a Nazi concentration camp, saw his reality reduced to its fullest misery. Rationally, although with an almost superhuman coldness, and although for the sake of survival, for the urgent need to preserve his mental sanity, he set out to view his misfortune through the lens of a scientist. He isolated his mind in a fictitious intellectual bubble and made physical, psychological and moral destruction the object of his investigations. It is, keeping proportions, what every serious investigator of life should do.
This Business of Living, by Cesare Pavese
God! So much life in these lines! Yet… it is pitiful. A remarkable spirit struggling, eroding and crumbling amidst fifth-rate yearnings. Clouded by passions that divert his focus and sap his energy, Cesare Pavese exposes, in this diary entitled This Business of Living, an atrocious inner conflict that arouses, at the same time, empathy and pity. Terrible, terrible torments; and the motives unjustifiable, unworthy of the poet’s lineage. On one note, the prudence: “maturità è l’isolation che basta a se stesso”, shortly after, the relapse: “la massima sventura è la solitudine”—manifestations of a spirit that has succumbed to the weaknesses of the race. Too bad, too bad…
The Moment When Destiny Makes Its Call
Although it is uncomfortable to assume it,—and even more so to justify it,—there seems to be, in the biography of every great man, a moment when destiny makes its call and, as usual, since we speak of great men, they fulfill their role. It is always possible to identify the emblematic circumstance whose response—the act—results in the concretization of the personality. It can also be added that such a circumstance configures the apex of a biography, the point where individuality is affirmed and distinguished and, since we speak of destiny, one’s fortune is defined. History offers us countless evidences for this unpleasant realization that seems to suggest that the greatness of its characters is limited to accepting, consciously or not, the fate that is reserved for them. Oh, note!…
The Artist Must Use All the Means at His Disposal…
It has been said—by Pessoa?—that the artist must use all the means at his disposal to give light to his own work. Otherwise, the difficulties will not be overcome and, probably, the work will not come out. It is necessary for the artist to build a favorable environment, to mold his life around the central objective; to have a daily schedule reserved for his work, a schedule that represents the core of his routine and to which he arrives every day in his best disposition. This for years, for as long as he lives—always aware, as Pessoa himself was, of inhabiting the present while belonging fully to the future.