All artistic motivations are fleeting, except those that stem from the true recognition of the value of experience and the nobility of striving to represent it in a work that will remain when time consumes them. To be an artist, in short, is to have art as something that justifies a lifetime’s effort. This, it is true, usually only happens to those who, deeply affected, strip away their vanity to recognize in someone else the model of what they want to be: in a burst of humility, they turn gratitude into motivation.
Tag: literature
That Feeling of Love for Language…
That feeling of love for language, magnificently portrayed by Bilac in one of his immortal sonnets, is something that seems indispensable in any authentic culture, and any culture that intends to survive. Perhaps this is precisely the distinctive unifying element lacking in some of Europe’s essentially cosmopolitan countries, which sometimes seem to sociologists, if not amorphous, more like an extension of any neighboring country. On an individual level, that feeling seems even more important, and if language could speak, it would be very good if it determined, in order to avoid a countless number of nonsense: “If you don’t love me, please leave me alone”.
If a Theme Becomes Recurrent…
If a theme becomes recurrent, as if reappearing in the mind asking for a new approach, it is a sign that it deserves more attention. The common thing would be to abandon it, putting it down to a supposed lack of creativity, when one only rarely uses something new to create. The fact is that feedback is often evidence of personal importance, evidence that should be mandatory in everything the artist sets out to do. It is therefore important to consider it carefully, because a great work is usually the offspring of a great obsession.
Literature Would Be Dead if Its Artists…
Literature would be dead if its artists were required to be as rigorous as writers in other fields. Coherence, or rather the thought of hypothetical coherence, is paralyzing, it is something that takes away possibilities. The artist must be free to move forward despite possible consequences, focusing only on bringing life to the creation. It does not matter about his previous works, or what he might think of what he is now writing: the work has to be independent, and condense in itself the reasons for its conception.