Arquivo de writing | Page 28 of 30

Spreadsheets, Spreadsheets…

It amazes me that the world has existed for so long without control spreadsheets. Sometimes I refuse to believe it, but backwards from the 1980s — at least — people lived without spreadsheets. My brain locks up: how? Impossible! And I convince myself that by deleting my spreadsheets, my home would immediately catch fire. There is no routine task that does not require a spreadsheet: from shopping at the supermarket to accompanying readings. Controlling the weight, the level of body fat is very important. The movies watched, the monthly cash flow, the portfolio of assets, the hours in language study, the special alcoholic beverages consumed over the years, the planning of daily physical exercises… all these are mandatory spreadsheets, essential to life. There are others, several others. And I am amazed at this: how to write a book without a spreadsheet? If I was to prepare a guide detailing the writing process, the first and obligatory step would be: create a companion spreadsheet, list the planning of the chapters, define their average length, and only then think about what to write. I would even say that, in many cases, the spreadsheet is previous to the idea or, still, the idea is only possible with the spreadsheet. Strange world…

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The Rhythm of the Letters

In prose the punctuation, the extension of periods, the chaining of paragraphs; in poetry, besides punctuation, the distribution of tonics, the extension of verses and their relationships: these are the markers of the rhythm of the letters. As for the rhythm: sandy, treacherous terrain; indomitable beast; marvelous and irresolvable enigma; visible perfection but distant, very distant…

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Style Is Abundance of Expressive Resources

The goal of every great artist should be to erect, in the long run, a complex and multifaceted monument. That is why minor artists are the ones who, annoyingly, only repeat the same processes. To do so, to seek emphasis on the same idea, the same impression or the evocation of the same feeling, is not, as some suppose, a demonstration of style, but evidence of a limited creative horizon. Style is expressiveness, power, conciseness, rhythm… Style is abundance of expressive resources, exactly the opposite of the artist’s capacity to repeat to exhaustion the same processes.

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Inspiration: Conscious Brain Stimulation

I read somewhere, a few years ago, a psychologist said that Bertrand Russell used an interesting process when he was involved in complex problems. It would be more or less as follows: Russell thought, with maximum concentration and strength of mind, on the particular problem; he outlined the possible solutions, dismembered them into minor issues, formulated various hypotheses and tried to find, in all, the possible flaws. The question occupied him entirely for hours, sometimes days, and then, when he felt exhausted, he did not publish, nor executed the final wording of his conclusions: he abandoned the problem and let him rest, occupying his mind with anything else. Then, after a few days, weeks or months, suddenly the mind pointed the solution, which came as a violent avalanche, and so Russell sat down to write. What would that be, inspiration? If that is the word, then it is necessary to add that there is nothing divine, fantastic, or superhuman about it. What is there is method, conscious brain stimulation. And if the brain, therefore, sometimes does not deliver an immediate response, it does not mean that it does not work, or that it is not working. In the same way, when it decides to boil at an inopportune moment, it is not doing any kind of magic or exhibiting supernatural powers…

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