It seems that the outcome of any artistic project is fundamentally dependent on the enthusiasm and vigor with which it is started. The spirit with which this start is imbued is decisive. For a bad or weak start, there is not much to be done, while a vigorous start can be extended by manual labor and simple discipline. That is why it is so important to do the ideation separately, at a time that precedes the execution. In this way, one can take advantage of the unsurpassable stimulus of those moments when the idea is ready and seems to explode.