The accurate study of the artistic technique runs the great risk of clouding the motivation of the art in the author’s head. Beauty is fundamentally created from acute perception and not from abstract motivation. If aesthetics escapes the understanding of the weak rationalism, it is not a consequence that, freed from experience, represents anything. The expressive effect is supported by the technique, but it will never be powerful if based on frivolity: to be great, art demands the great themes.
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