Creative work essentially depends on two things: (1) the ability to stimulate, allow and grasp new ideas and (2) the ability to make the most of them. In the first case, we briefly have intellectual effort and attention, qualities that, even if unintentionally, are incited by the simple desire to create. In the second case, there is something more costly, and perhaps the biggest difference between the fruitful artist and the unfruitful one lies precisely in this: in the ability to put their ideas into practice, not letting them get lost and go as naturally as they came. This ability is simply the ability to act. From this it can be seen that creative work, in order to be effective, requires not only ideas, conceiving them and capturing them—something that can be done effortlessly—but it also requires a state of mind that can be summed up in a permanent readiness for action.
No Matter How Good Short Poems Are
No matter how good short poems are, and no matter how fond the modern mind is of them, they alone are incapable of the great poetic effect. The latter is only achieved when the mind reaches a degree of ecstasy that requires, firstly, complete absorption and, secondly, a certain number of verses. In other words: the mind needs to be immersed in the poetic atmosphere that will lead it on the upward movement. Then, verse by verse, concentration increases, the stimuli intensify and the great effect is already being built up. In short: for the peak to impress, it must be preceded by the climb.
A Near Reality
The awareness that death is never as far away as one would like, or rather that it is a near reality, instills in man a sense of responsibility and urgency that cannot otherwise be achieved. Such qualities are indispensable in great minds; without them, the scale of priorities is distorted, the act is postponed or, at the very least, not carried out with due seriousness. Great work is always preceded by the realization of its importance and the need for it.
Nothing Seems as Impressive…
Nothing seems as impressive as the series of coincidences which, in frequent cases, impel man to work. The impression we get is that there is a mission for each soul, so that if it is not found, if it is not voluntarily and consciously pursued, it is in no way hindered, since circumstances ultimately force its execution. From this we can see how natural it is to accept the hypothesis of predestination. There are cases in which we come across events that are so transformative and decisive that we get the feeling that, like it or not, man, in the course of his life, always ends up becoming what he was born to be.