The artist should never rely on the apparent quality of what he creates, because this is a parameter that is definitely not for him or for his peers to judge. At worst, he must put up with it. To make art is to direct effort toward the realization of a mental image in an artistic form; to do so, in short, is to bring an idea to life. Insofar as it seems right to him, and convinces and moves him, the job is to represent it with sincerity and power, to represent it in a way that lives up to the vividness of the mental representation. As for the result, all that matters to the artist is the degree to which he was able to express what he intended to express, in other words, whether or not he was faithful to the idea—which ultimately represents whether or not he was faithful to himself.
Tag: writing
There Is, in Fact, a Satisfaction Experienced
There is, in fact, a satisfaction experienced at the end of the painstaking writing of a book that is not limited to the feeling that “it’s finally over”. When one has been on this path for some time, and the vow has been sufficiently justified and affirmed, and one’s spirit has therefore moved away from the excitement of novelty and testing, each piece of work that comes to fruition is a step forward towards the primary objective that motivated the decision to write. When the decision was deliberate, it was only a glimpse of the possible results which, gradually, with each piece of writing, finally materialize and make the initial plan a reality. In this way, one experiences the “finally”, but one also experiences the feeling that one has fantasized less.
The Beginning
It seems that the outcome of any artistic project is fundamentally dependent on the enthusiasm and vigor with which it is started. The spirit with which this start is imbued is decisive. For a bad or weak start, there is not much to be done, while a vigorous start can be extended by manual labor and simple discipline. That is why it is so important to do the ideation separately, at a time that precedes the execution. In this way, one can take advantage of the unsurpassable stimulus of those moments when the idea is ready and seems to explode.
Creative Work
Creative work essentially depends on two things: (1) the ability to stimulate, allow and grasp new ideas and (2) the ability to make the most of them. In the first case, we briefly have intellectual effort and attention, qualities that, even if unintentionally, are incited by the simple desire to create. In the second case, there is something more costly, and perhaps the biggest difference between the fruitful artist and the unfruitful one lies precisely in this: in the ability to put their ideas into practice, not letting them get lost and go as naturally as they came. This ability is simply the ability to act. From this it can be seen that creative work, in order to be effective, requires not only ideas, conceiving them and capturing them—something that can be done effortlessly—but it also requires a state of mind that can be summed up in a permanent readiness for action.